SCREENPLAY SELECTIONS

Pitch & Fade

Screenplay | 103 pages | Writer | Mazy Jane Burns (United Kingdom)

Set against the raw energy of London’s 1990s underground rave scene, Pitch & Fade follows two young women who form an unlikely partnership in order to break into the male dominated DJ field.
Ami, a driven 17-year-old DJ from a working-class estate, struggles to balance caring for her chronically ill mum and younger brother while trying to find opportunities as a DJ. Tara, a wealthy but deeply troubled West London raver, rejects her privileged upbringing for the reckless freedom of illegal parties, drugs, and sound systems.
Their lives collide at an illegal warehouse rave when Ami steps in on the decks after a disastrous set by Tara with a performance that electrifies the crowd. Impressed by Ami’s talent, Tara proposes they form a DJ duo: Pitch & Fade. Reluctantly, Ami agrees, seeing access to opportunities otherwise denied to her.
As the pair rise through London’s underground scene, their success is fuelled by creative chemistry but strained by opposing ambitions. Ami seeks stability and a future through music, while Tara spirals deeper into drugs and the influence of Alek, the manipulative leader of the Soma sound system collective.
After Tara’s public breakdown destroys their breakthrough club performance, the duo fractures. Tara becomes trapped within Alek’s criminal world, while Ami faces mounting pressures at home and exploitation and sexual predation within the commercial music industry.
Realising neither the underground nor the mainstream offers true freedom, Ami reconnects with her community and reaches out to save Tara. With the help of their crew, they launch Eclipse FM, an illegal pirate radio station broadcasting across London, reconnecting them with the real scene that first inspired them.
Pitch & Fade is a coming-of-age drama about friendship, class, gender, exploitation, and the search for independence through music and community.

Writer Biography

After a career in digital media and currently working as a lecturer, Mazy is now developing her screenwriting work. She has a short film 'Feed' currently in Pre-production and also writes scripts for The Actors Studio in Pinewood for their Showreel Masterclass. She has gained 'Official selections' for 2 of her other shorts - 'School Run' at the Bournemouth International Film Festival 2025 and 'Evening News' at the Monkey Bread Tree awards 2025.

Writer Statement

I'm passionate about the ability of film to transport the viewer to different times and places, as well as stimulate their imagination, engage their emotions, potentially affect their consciousness, generate discussion and most of all - provide great entertainment.

When the City Stood Still

Screenplay | 81 pages | Writer | Joe Fathallah (United Kingdom)

On the Increment

Screenplay | 87 pages | Writer | Joe Fathallah (United Kingdom)

As his struggling community chess club faces closure, a thoughtful but chronically indecisive captain enters a major European tournament to try to save it - only to have his focus unsettled by the return of an old friend whose presence reopens a decade of unspoken feelings.

Blue

Screenplay | 85 pages | Writer | Linnhe Harrison (United Kingdom)

Kes Worthington is a young man in his early twenties. His life ricochets between frying cheap bacon in a greasy catering trailer, and having terrible sex with his live-in girlfriend, Em. Struggling with the recent loss of her mother, Em is fighting her own battle, one that Kes consistently fails to acknowledge. Desperate and floundering, she plasters his flat with inspiring wall art and nurses a burning need to start a family. 

Kes’s routine is disrupted by the arrival of Hannah, a free-spirited, van-dwelling woman in her fifties. Confident, sexually liberated, and unbothered by convention, Hannah represents everything Kes is not. Their flirtation quickly escalates, exposing a way of life he had never thought possible. To Kes, it is an epiphany, and their insanely hot affair too real to be “just sex”.

By accident and never by design, a string of events begin to push Em and Kes closer together. As pressures mount, Kes finds himself at a crossroads. Torn between domestic obligation and the seductive illusion of reinvention, he must confront whether he is capable of real change, or merely chasing another version of escape.

Blue is a sharp, darkly comic exploration of arrested development and the fantasy of freedom.

Blue is based on an award-winning short story of the same name.

Writer Biography

Linnhe Harrison was born in Chester in 1977 and spent her home-ed childhood between North Wales and the Lake District.

She now lives in Kirkby Stephen, Cumbria, with her husband and two children. Linnhe worked as an animator and as a sailing instructor prior to moving into graphic design and marketing.

Having previously dabbled in shorter forms of creative writing, she started working on her debut novel in 2023 - The Incredible Machines of Thinkery: Outpost 9 was first published in July 2024. The extended edition was published in April 2026. The sequel - The Incredible Machines of Thinkery: Future’s End - was first published in May 2025.

The final book in the trilogy - The Incredible Machines of Thinkery: Northern Sky - was published in June 2026.

Full Stop

Screenplay | 13 pages | Writer | Kyle Cheatley (United Kingdom)

A young man returns home after 13 years in prison.

Writer Biography

My first short script has recently been filmed and due to be shown at a Northamptonshire film festival.

East London Western

Screenplay | 20 pages | Writer | George Gifkins (United Kingdom)

When an old friend arrives to honour a deadly promise, a disillusioned barman - trapped between self-deception and self-doubt - faces the choice to change his story or meet its end.

Glowcat Lady

Screenplay | 7 pages | Writer | Indra J. Adler (United Kingdom)

A woman must protect herself and her kittens from a glowing threat.

The Fourth Psalm

Screenplay | 107 pages | Writer | John Martins III (United States)

Dire consequences ensue when two Catholic priests at a New Mexico parish clash during the 1980s Sanctuary Movement, endangering the lives of three innocent Salvadoran refugees.