ANIMATION & STUDENT FILMS 2026

In Half

Animation | Duration 24:30 | Director | Jorge Morais Valle (Spain)

Through a child's imagination it tells the journey of a man who after falling prey to his fears, he must cross a strange world, a universe full of magic, where he will be confronted with his own fears and conflicts from the past and where he must find solutions for the future to discover his self-identity.

In Half unfolds through the eyes of a child whose imagination becomes the lens through which we witness one man's unraveling. Crushed beneath the weight of his own fears, he finds himself pulled into a world at once enchanting and deeply unsettling, a place that obeys not the logic of the waking world, but the hidden logic of the psyche.
Within this realm, suspended between dream and reality, every creature, every landscape, and every obstacle reflects the wounds, losses, and unresolved conflicts he has spent a lifetime trying to outrun. To move forward, he must turn toward the parts of himself he buried long ago and understand that fear is not an adversary, but a threshold to be crossed.
In Half is a visual fable about human vulnerability and our capacity for transformation, a reminder that even what seems broken still carries the quiet possibility of renewal.

Director Biography

Jorge Morais is a distinguished independent filmmaker and artist hailing from Vigo, Spain. His artistic journey commenced at a young age, deeply entwined with various disciplines, including drawing, painting, and sculpture. Notably, sculpture emerged as his primary focus early in his creative development.
Morais entered the realm of graffiti and mural painting during his formative years, where he cultivated a unique style of expression that garnered the attention of commercial brands seeking artistic and advertising collaborations. This early exposure facilitated his transition into the fields of decoration and theatrical stage design, where he successfully led teams on projects across Spain and Portugal, even before completing his secondary education.
Throughout his career in Fine Arts, Morais adeptly navigated various professional realms, including scenography, painting, and illustration in both Galicia and Portugal. His multifaceted experiences culminated in a series of collaborative projects, painting exhibitions, and advertising campaigns. He also spearheaded a collective of emerging artists known as New Order Productions, which enriched his artistic repertoire and honed his leadership capabilities, qualities that would later empower him to venture into the field of animation following his graduation from the Faculty of Fine Arts.
In 2010, Morais premiered his inaugural animated short film, The Painter of Skies, as the capstone project for his Master's degree in animation. The film garnered significant national and international acclaim, achieving selection in over 300 festivals and amassing 125 awards globally. This transformative experience served as a catalyst for a series of travels to esteemed studios and production companies across Portugal, India, England, Italy, and Germany. Throughout this journey, he immersed himself in a variety of projects that not only broadened his skill set in production design, animation, modeling, and kinematics but also significantly enhanced his professional reputation within the animation industry. Each engagement provided unique insights and opportunities for collaboration, ultimately contributing to his comprehensive understanding and mastery of the field.

Director Statement

I believe that animation has the power to transcend boundaries and connect people on a deeper level. Through my work, I aim to explore complex themes and emotions that resonate with viewers of all ages. I am committed to bringing diverse voices and perspectives to the forefront, and using the medium of animation to spark conversation and foster empathy.

I believe that animation is a powerful tool for storytelling, and I strive to push the boundaries of what is possible in the medium. I am constantly seeking new ways to innovate and challenge myself creatively, in order to create work that is both visually stunning and emotionally resonant. My goal is to create animation that not only entertains, but also leaves a lasting impact on its audience, challenging them to think critically and feel deeply.

I am dedicated to creating stories that are inclusive, thoughtful, and thought-provoking. I strive to create characters that are diverse, complex, and authentically represented. I believe that by centering the stories of underrepresented communities, we can create a more inclusive and empathetic world.

Above all, I aspire to create animation that is meaningful, inspiring, and memorable. I am committed to using my platform as a filmmaker to shine a light on important and often overlooked stories, and to create work that has a lasting impact. Through my animation projects, I hope to inspire others to think, feel, and connect with each other in a deeper and more meaningful way.
_ Jorge Morais

*** Psychological Development in the Project ***

By Adele Baker, University of Edinburgh, School of Philosophy

Teaching children to effectively manage their emotions is arguably one of the most invaluable gifts we can offer them, serving as a fundamental tool for their growth as individuals. Throughout this journey, children begin to comprehend their emotional landscape, making it essential for us to closely observe their behaviors.

The short film In Half primarily explores the emotions of fear and love. While it is common to equate the opposite of love with hate, these two extremes are actually unrelated. In truth, fear stands as love's true antithesis. Renowned Swiss psychiatrist and psychoanalyst Carl Gustav Jung posits that we all harbor certain traits that we conceal; from an early age, we learn that such concealment is necessary for acceptance. These unacknowledged traits become our "shadow," emerging at various stages in our lives. In conjunction with this shadow, we develop what Freud referred to as the "ideal self"__a mask we create to blend into our surroundings and avoid rejection.

The inability to accept our shadow can lead to various issues, including trauma. When we struggle to embrace ourselves out of fear, we find it difficult to love ourselves. Fear indeed represents the antithesis of love. We are often unable to love ourselves due to our fear of self-identity, which in turn complicates our capacity to extend love to others.

This philosophy of navigating the world—sometimes successfully, yet always with effort—is poignantly illustrated in the animated short film In Half, written and directed by Jorge Morais. The narrative captures the internal struggle of a five-year-old boy as he grapples with the emotional barriers erected by fear.

Young Vivencio, a cheerful and imaginative child, is raised under the strict discipline of his father, Mr. Crabby. His father's unconventional teaching methods and values create significant emotional turmoil for Vivencio, distancing him from his mother and prompting him to confront his fears through introspection. It is within this inner journey that he learns the importance of facing challenges by breaking free from the metaphorical cage that confines him, striving to resolve his dilemmas through logic.

The film also highlights a vital theme: Vivencio's progression through his projected fears is rooted in the innocence he embodies. This innocence allows him to perceive the world through a unique lens, distinct from that of most adults, as he marvels at everything and learns in a pure, stereotype-free manner.

By the film's conclusion, accompanied by meticulous, beautiful, and sensitive animation, we are reminded of the crucial role that role models and parental love play in a child's education. Whether through imposing their own path or fostering personal growth, parental guidance is indispensable.

It is important to dismiss the notion that children must suffer or navigate life flawlessly; such beliefs should not result in the restriction of their freedom. As previously mentioned, it is often these "dangers" or challenges that enable us to develop our best adaptive capacities, as well as our unique perspectives and decision-making abilities.

Ultimately, the character of the child imparts profound lessons, one of the most significant being that the fear of fear is a constant companion throughout our lives. Overcoming this fear lies not merely in acts of bravery or courage, but in the emotional maturity cultivated from childhood experiences.

The final message of this short film serves as a poignant reminder for adults: we must not allow our inner child to fade, as it occupies a vital space within our hearts. Embracing this inner child enables us to view the world with wonder and joy, empowering us to confront any challenge that life presents.

Like Friend, Like Deer

Animation | Duration 12:59 | Director | Malek Eghbali (Iran)

Like Friend, Like Deer tells the story of a wildlife ranger in a critical situation who kills an illegal hunter during a confrontation. This short film explores the deep connection and hidden similarities between humans, animals, and the environment they share.

Director Biography

I am an Iranian visual artist with a background in painting and photography. Recently, I have focused on visual storytelling and experimental animation. "Like Friend, Like Deer" is my first professional animation project.

Director Statement

In this animation, I tried to create visually expressive images by painting digitally, frame by frame, on 3D forms. I tried to tell the story and ideas through color, texture, and visual elements, without any dialogue. This unique technique is the result of many years of continuous work, and no artificial intelligence was used in this process at any stage.

Our Future

Student Film | Documentary | Duration 04:13 | Director | Joseph Agunbiade (United Kingdom)

FRAME OUR FUTURE - Winning Film
Our Future explores the hopes, dreams and aspirations of talented athletes growing up in Thurrock, told through the perspectives of a boxer, footballer and football coach. The film highlights the lack of accessible sporting facilities and opportunities in the area, while showcasing the talent and potential that exists within the community. Despite these challenges, each continues to pursue their ambitions and find ways to develop their craft. Through their experiences, the film asks what could be achieved if young people in Thurrock had greater access to the facilities and support needed to fulfill their potential, offering a hopeful vision for the future of local sport.

Director's biography
Joseph Agunbiade is a London-born filmmaker, writer, director and editor from South Ockendon, Essex, with five years of experience in filmmaking. His filmmaking journey began at the University of Warwick, where he studied Film and Television Studies. During his degree, Joseph developed his practical filmmaking skills through short films and hands-on productions, learning cinematography, editing and writing. His interest in filmmaking began earlier, having studied Film Studies at both GCSE and A-Level, where he became fascinated by the creative and technical processes behind film production. Having played competitive football for 14 years, including for the Reading FC academy and for several semi-professional clubs across the UK, Joseph naturally developed an interest in sports filmmaking. His experience within sport led him to explore how filmmaking could be used to tell the stories of athletes beyond their performances.

In January 2025, after purchasing his first camera, a Sony A7 IV, Joseph began producing his own short-form films, spec advertisements and mini-documentaries, working across directing, cinematography and editing. His work gradually developed towards more thoughtful, people-driven storytelling and documentary filmmaking. Among his work is a documentary following WBO Middleweight British Champion Denzel Bentley. In 2026, Joseph expanded his visual practice through street photography, using the medium to develop his filmmaking skills and explore composition, particularly symmetry and considered visual framing influenced by filmmakers such as Wes Anderson and Lukasz Zal. That same year, Joseph won the Frame the Future competition with a self-produced film exploring what he would change about his local area, funded by Thames Freeport. Following the competition, he developed the film further and directed the project with production company People for the Pictures. The project marked his first formal directorial debut and went on to screen at the Thurrock International Film Festival.

Joseph currently works professionally as a Multimedia Editor at HSBC, while continuing to develop his work as a filmmaker, editor and director.

Director's statement
Our Future is a personal documentary inspired by my experience growing up in Thurrock and pursuing football with high sporting ambitions.  It's about what I'd change in my local area. Growing up playing football, I often felt that the area lacked the football facilities and accessible training opportunities needed to support young athletes. In order to train at the level I aspired to, I regularly had to travel outside Thurrock. Compared with London, access to quality pitches and sporting facilities felt far less available. Our Future explores this challenge through the perspectives of three people who grew up in Thurrock: a boxer, a footballer and a football coach. Through conversations and shared experiences, the film examines the personal challenges they faced while developing their sporting ambitions, as well as displaying the immense potential brewing in Thurrock.

The film is made in a participatory documentary style, with me interacting directly with the athletes and engaging with their stories. Their experiences reveal the barriers that can exist for young people in Thurrock, but they also highlight the hope, pride and excitement that the area’s talent continues to produce. Despite limited access to facilities, Thurrock has developed athletes and sporting figures with remarkable potential such as: Alex Iwobi and Michelle Ageymang. At its heart, Our Future is a film about possibility. I want audiences to recognise the talent that exists within Thurrock and to see the importance of investing in its young people. The film is intended to inspire conversation and encourage meaningful change, particularly from local decision-makers and the council. With greater investment in facilities, pitches and youth development, I believe Thurrock can provide the support its young athletes need to thrive.

The Baron

Student Film | Drama | Duration 01:22:55 | Director | Fritz Pittner (Germany)

Revolution. From the Heart and Liver.

After a wild night, Professor Ludwig Lauer wakes up: with a pounding headache, in a stranger's bed and no memories whatsoever. He has drunk away every trace of his former life. As he searches for answers, he becomes entangled in a web of university intrigue and, before he knows it, finds himself at the head of a student revolution.

SEASONAL SHORTS STUDENT FILMS

Endoflife

Student Film | Documentary | Duration 12:38 | Director | Lisanne Van Ingen (United kingdom)

Endolife is a short, hybrid documentary that combines the experiences of over 120 people with endometriosis into a single, scripted narrative. Instead of focusing on the medical aspects of the disease, the film illustrates how it affects daily life. Isolation, depression, and grief, but also transformation and hope, are key themes.

This documentary is the product of an exceptional collaboration of a mostly female crew, with team members currently based in England, Scotland, and Ireland—some just starting out, others with years of experience, but all equally dedicated to raising awareness for this common yet widely misunderstood condition.

Director Biography

Originally from The Netherlands but now based in Norwich, England—Liz has been creating projects for stage, page, and screen for many years. Her short films have been selected for Academy Award-, BIFA- and BAFTA-qualifying festivals across the United Kingdom and Europe. She is currently completing a PhD in on-screen narrative structure at the University of East Anglia whilst developing stories she truly cares about.

Director Statement

Although not a literal representation of my own experience with endometriosis, Endolife is a deeply personal story, and making it has been somewhat of an emotional rollercoaster that turned out to be transformative for me both as someone with endometriosis and as a filmmaker.

My goal in making this film was twofold: I wanted people with endometriosis to feel heard and seen. Our pain is often made invisible. Medical professionals don't listen, colleagues say we're exaggerating, and sometimes even our own family don't believe us when we tell them about our experiences. It is incredibly hard to advocate for yourself under these conditions. Having endometriosis is tough enough as it is—no one should have to fight to be believed on top of that.

I also hope that this film will help 'outsiders' understand how debilitating endometriosis can be, and how the effects of the condition extend far beyond the physical symptoms we experience. In making the film, I didn't want to shy away from showing intimate moments and raw emotion. This is what's happening behind closed doors—and you need to see it.

Endolife is my short film directorial debut, and the first documentary I have been a key part of. For that reason alone, it'll always hold a very special place in my heart. Throughout the making of this film, I have felt truly blessed to work with a diverse mix of exceptionally skilled and passionate creatives. I've loved watching each of them lend their art to Endolife, and add a little something of themselves to it.

Now, it's ready for an audience.

Here Where The Sea Shines

Student Film | Documentary | Duration 17:09 | Director | Giuseppe A. Modica (Italy)

Set in the small port of Marina Grande, Sorrento, this short documentary follows Rosy, a ten-year-old dog who has become the beloved mascot of the village. Once the faithful companion of her fisherman owner who has since passed away, Rosy now spends her days helping her new family at the local bar, watching over the fishermen and the sea, and embodying the spirit and traditions of the entire community.

Director Biography

Italian-American director and screenwriter, born in the USA in 1985, to Italian parents. He lives in the province of Rome and studied directing, screenwriting and theater at academy. He began his film career working his way up through the ranks on sets as a directing or production assistant, including in the USA. He made his first short films on very low budgets starting at the age of 16. In 2025 he made the short documentary “Qui dove il mare luccica”, produced by Last Horizon and with the patronage of the municipality of Sorrento. Currently the short film has 77 selections at international festivals and won 41 awards.

Director Statement

I prefer movies that convey emotions and are shot with sincerity, without seeking ideas just to win awards.

Filíocht Na Corcaí (The Poetry Of Cork)

Student Film | Documentary | Duration 11:39 | Director | Kyra Owers (Ireland)

An intimate documentary showcasing the vibrant poetry scene of Cork City and the talented community of artists involved in these nights.

Director Biography

Kyra Owers is an award-winning filmmaker and editor from Co. Cork. She studied Film for two years at Cork College of FET: Douglas Street Campus where she honed her skills by being involved in many film productions. She is continuing her academic studies in Film at University College Cork, while using any opportunity to enhance her practical skills. She is a member of the Irish Film and Television Academy's Directing Chapter, Outreach Officer for Indiefront & Cork University Film Festival and also a Video Editor for The People's Picturehouse Cork.

Director Statement

Cork City has a lively creative scene but Cork's poetry community is one of its hidden gems. Over three years ago, there weren't many accessible platforms for performing and showcasing this art until Ciarán Shanahan a Cork based poet and filmmaker from Tipperary founded The Underground Loft in 2023. More than just an open mic, "Loft" became a haven for storytelling, welcoming poets, artists, and writers into a space where they could truly express themselves.

In October 2025, It was announced that The Underground Loft would be closing its doors after almost three years. While the Loft rests in peace, the seeds live on through other nights like Litreacha and Words Wander Back. Having been a regular attendee since Ciarán and I were PLC film students together, I feltl it was absolutely necessary to make this film and document such a vital shift in the poetry scene in Cork while also preserving The Underground Loft before it's doors fully closed.

Filíocht Na Corcaí captures the raw atmosphere of these nights through a 'guerrilla' filmmaking style which was inspired from a workshop class with our Filmmaker In Residence Brendan Canty who directed both Christy (2025) and Gealtra (2025). As my third documentary and my directorial debut in my BA in Film & Screen Media at UCC, this film serves as a vital archive of a fleeting moment in Cork’s social history while showcasing emerging creative talant that have the courage to perform from these nights.

Momento Virgo

Student Film | Drama | Duration 5:28 | Director | Sky Ackers (United Kingdom)

Based loosely on the Cretan minotaur myth, a young peasant woman awakens to a world where labour becomes ritual, belief becomes violent and the story will not let her go.

Director Biography

Sky Ackers is a filmmaker and film scholar with a deep-rooted passion for cinema analysis and experimental storytelling. Her work is driven by a fascination with visual language, particularly in the realms of surrealism and symbolic imagery, drawing inspiration from artists such as David Lynch, Francis Bacon, and Arthur Rackham.

Sky has also contributed to the film community as a festival judge. Her artistic interests extend strongly into production design and visual composition, where she explores the intersection between fine art and cinematic space.

Sky recently directed a live music broadcast event for the University of Hull, managing a crew of 60 people. She has worked as an assistant director across multiple productions, developing a strong foundation in on-set collaboration and leadership.

Sky is the director of the 2026 short film Memento Virgo, and continues to pursue bold, experimental filmmaking that challenges narrative convention.

Director Statement

Memento Virgo emerges from a fascination with folklore and the avant-garde. I was drawn to the symbolic parallels between cultivated land and the female body, both sites of labour and eventual harvest. Set within a liminal landscape, inspired by the ancient Greek Minotaur myth, the film explores the intersectionality of femininity and sacrifice through the figure of a young peasant girl (Alkmini), chosen as an offering.

Visually and tonally, the film leans into the language of folk horror, with both a surrealist and ambiguous narrative to invite the audience to establish their own interpretation of its imagery. When writing the screenplay, I developed a particular interest in exploring the asphyxiating oppression that women have faced throughout history, dating back to the tale of the virgin sacrifice to the Minotaur, alongside the cyclical rhythms that exist not only in nature, but within ourselves as people.

Prince of the Lilies

Student Film | Drama | Duration 22:27 | Director | Oliver Penna (United Kingdom)

In the ruins and rot of his inherited lot, Minos lies stripped of everything he was never built to hold. As he strikes one final bargain with the gods, what he owes begins to surface, and the man he has always been cannot be outrun. Prince of the Lilies is a Bronze Age mythological drama driven by the oldest truth there is: that pride without conformity has always met its nemesis.

Director Biography

Oliver Penna is a director, cinematographer, and filmmaker from the north of England, whose work is driven by his deep fascination with H. P. Lovecraft and other cosmic horror-based literature. His films explore distorted realities, existential uncertainty, and historical mythos.

His passion for cinematography and mise-en-scène derives from the work of David Lynch and Stanley Kubrick, helping to establish the complex aesthetics and set-pieces within his films. He has prior experience working on festival-nominated short films, alongside production work in live environments.

Director Statement

With Prince of the Lilies, I was driven by a sense of absence: what I see as a gap in cinema’s approach to Greek myth. Too often, these stories are presented as a sequence of grand, spectacle-driven moments, where scale overshadows intimacy. While that approach lends itself to epic storytelling, I was more interested in what exists beneath it.

This film draws on the inherent power structures within Greek mythology but seeks to ground them in the emotional and social dilemmas of the everyday. I’ve always believed that people have not fundamentally changed, only the worlds around them have. Through this lens, I wanted to explore how figures often viewed as mythic or distant are, at their core, defined by the same experiences of family, grief, and loss.

At its centre, the film becomes a study of a man torn between his role as a king and his failure as a father. In reading the story of Minos, I was struck not by his status but by his absence and the cost of ambition when placed against personal responsibility. The myth, to me, became less about legacy and more about consequence.

Ultimately, Prince of the Lilies is about the tension between power and responsibility, and the quiet, often overlooked cost of choosing one over the other.